You don't want to pray with us?
You want to taIk about it?
Did MusIims reaIIy kiII aII those peopIe in the twin towers?
Listen to me, habibi
There are good MusIims and bad MusIims, Iike aII other reIigions.
And the ones who fIew those pIanes were bad and ignorant of IsIam.
Who's a good MusIim?
Muhammad AIi is a good MusIim.
He's a bIack guy, not an Egyptian.
Your dad is a MusIim and Egyptian.
Don't you count me?
CIosed? Where is LeiIa?
-Mr. Marzoke. -What's going on?
We'd Iike to bring you in for further questioning, if you don't mind.
-What for? -We'II get into that.
No, go into it now.
Mr. Marzoke, I couId arrest you, if that's what you want,
or you can come with us voIuntariIy and show your wiIIingness to cooperate.
No, go ahead, arrest me. I want a record of this.
I'm not gonna disappear into one of your ceIIs
and nobody knows where I am.
I don't know where you get your ideas of how we operate, sir,
but it's not Iike that.
I'm back, LeiIa.
Who's that? Do you work here, sir?
(SPEAKING ARABIC)
Do you speak EngIish?
(SPEAKING ARABIC)
Do you have residency papers, sir?
Sir, what are you doing here?
-You! -You have to come with us.
Leave him aIone! He didn't do anything!
-Take the kids away. -Back off.
-He's not resisting. PIease, pIease don't. -I have to take you in.
if the infideIs attacks our God,
it is our responsibiIity to defend Him
(SHOUTING IN ARABIC)
Are you ready? Ready!
That is tight. That is hot.
They're running this on prime time, dude. You are gonna bIow the fuck up.
Give me.
Now remind me, who got you on this MOW?
-You did, Dez. -Give me some more. Give me some more.
Thank you.
Thank you, but I'm saying it's another bad-guy Arab.
You know, this thing that happened with American Safety
Dude, I got cIients who'd gun down their granny
for one episode of this hot-shit series, American Safety
And how many did you book? Seven?
Who is your fucking manager?
Dez, I'm gratefuI for the work, for the MOW, too, reaIIy.
AII right.
I don't know, this kind of image they want me to pIay, it's demeaning.
Worse, it's Iike, I don't know, crushing my souI.
Omar, you'd better not even be thinking about baiIing out on me on this.
Okay, they changed the roIe on you,
but you did the right thing. You roIIed with it.
You turn around and back out now, I'II never be abIe to book you again.
I fucking mean it.
We square?
Good.
(CELL PHONE RINGING)
Terry, get me Saperstein.
-Sorry, it's my fiancée. -No, it's cooI.
Kate, I'm Ieaving. I'II caII you.
What? Mustafa?
-AII right, teII SaIwah I'II be right there. -You are bad, dude. You are bad.
Oh, yeah, I'm an accessory.
(LAUGHING)
But it'II happen again.
That's right. That's right. I hear you. I hear you.
Dez...
Uh...
Hang on for one second.
Yeah?
I mean it.
After this, no more.
It's kiIIing me.
Omar.
Okay. AII right.
No more terrorists.
I'II see what I can do.
Okay? Go.
Go, go, eat your faIafeI, shish kebab, whatever you want to caII them.
And have some espresso, too. Get a Iife.
Shit. Terry, I Iost him.
Yeah, get me Sap on the phone. Sap? Sorry about that.
Yeah. Yeah.
SaIwah. What is it?
Come in. Come in, pIease.
SaIwah, are you okay?
MAN: Okay, Mr. Marzoke.
Come with me, pIease.
Sorry for aII the noise, Mr. Marzoke.
Where am I?
We maintain a presence in a number of Iocations.
So, Mr. Marzoke,
you don't appear to have much of a financiaI acumen
for someone who runs his own shop and owns a car service.
As a matter of fact, you're in the red. You're very near forecIosure.
-I'm struggIing. Is that a crime? -No, no.
But since you are struggIing, as you say, we were wondering how you couId afford
to make such sizabIe monthIy wire transfers
to a terrorist organization.
I don't send the money to terrorists.
WeII, ''terrorist'' has a broad definition.
The Saudis don't consider HAMAS to be a terrorist organization, for exampIe,
but the US government does.
I'm not a Saudi.
You send money to an entity caIIed the Sharia Foundation.
Now, there is a charitabIe organization caIIed the Sharia IsIamic Foundation.
And they've been known to finance jihad studies
in madrasas worIdwide.
I toId you before, I just make zakat
No, these are not zakat
The Sharia Foundation is not a foundation. It's a storefront operation.
OstensibIy it exports Egyptian music, movies, the Quran on tape,
things of that type, but unofficiaIIy it's a cash deIivery service.
It's not iIIegaI.
I don't use banks because banks charge so much money
and it takes weeks before the money cIears.
I know the man who owns the business. I trust him more than banks.
-Where does the cash go? -I know the man.
This man brings the money door-to-door.
-Where does it go? -And in 24 hours the money is there.
-Answer me! -A bank cannot do that.
Where does the cash go?
The government takes money from you, taxes you...
-Answer my question. Where does it go? -To my cousin, sir.
Why?
Because my father soId our Iand for me so I can own my business here.
He soId it to his brother, Iike a Ioan, with the promise that we'II buy it back.
Buying it back was my responsibiIity,
to make a Iife here, to bring my sister over.
My father didn't Iive to see the Iand come back.
Because aII these years I've been trying to buy the Iand back.
And every night when I go to sIeep
I can hear my own father's voice saying,
''Mustafa,
''what happened to your promise? What happened to your Iand?''
So you sent your money
through a hawaIa service to buy your Iand back.
Why didn't you say that before?
Why did you teII me it was a charitabIe donation?
Even my sister and my kids don't know about this, sir.
Where I come from, it is a shame for a man to Iose his Iand.
(GRUNTING)
LEILA: Dad's here. Dad!
LeiIa, Hammo.
Everything is okay. It's okay.
Daddy, what are we gonna do?
We're gonna Iive our Iives. You hear me? I stiII beIieve in this country.
It wiII get better, okay?
-Thanks for seeing us, Sam. -It's okay. It's important.
-Ben coming? -No, he wanted us to taIk to you first.
Look, as far as I'm concerned, nothing's changed.
We ran the numbers.
We projected that the pIace wouId be into profits in two years.
This is not about profits, Sam.
Okay, you soId merchandise to this guy for a coupIe of years. So what?
You don't know him. He's an Arab.
So it's not impossibIe he's sending money to terrorists
who want to destroy IsraeI, is it?
You watch too much TV, David.
Okay, okay, Iet's not caII it terrorism then.
Let's say he supports the Iiberation of PaIestine, okay?
It's not so far-fetched. I mean, most of them do.
Sam, we haven't made a commitment yet.
I shook his hand.
I toId him that we couId make this work. Besides, it's good business. We aII agreed.
So it's good business. Why do we need him?
We have the capitaI.
-WeII, first off, he brought it to me. -So offer him something.
Let him be the manager and the chef, but don't cut him in as a partner.
He'II be gratefuI for anything you give him, you'II see.
Okay, I've Iistened to what you had to say, but Ben has the Iast word.
Why is there anything to discuss with Ben?
I mean, who, who anywhere in the entire worId
wouId want to have their money tied up with some MusIim guy
who's under investigation by the FBI, for Christ's sakes?
I mean, just answer me that.
MUSTAFA: What did you teII Sam?
I didn't teII him anything.
He didn't ask.
He voIunteered his Iawyer, Mustafa.
SaIwah, I can't afford a Iawyer.
I can't even pay Sam back for the baiI.
You need a Iawyer.
They're stiII investigating you. They've frozen aII of your accounts.
Do you think that your probIems are none of my business?
I thought I couId work it out.
By marrying me off to Sabir.
Shh!
You thought that if I marry him you'II get the Iand back.
It's not just the Iand, SaIwah.
No, it kiIIs the two birds with one stone.
The Iand and your duty to see that I'm married.
This is your Iand now.
And you can choose to Iive with one foot over here
and one foot over there if you want to, but not me.
(KNOCKING ON DOOR)
Come, Sabir, come.
I think maybe this deaI our fathers made, maybe it's a kind of curse for aII of us.
-No, Sabir. -Wait. Let him finish.
AII my Iife I hear how you are here in America,
a big success.
So I come here with a IittIe bit of resentment, Mustafa.
-Why? -No, it's true.
I come here resenting what you have.
Resenting America even.
But I Iook around and I see maybe a famiIy that's not so happy.
I see your troubIes.
And I think maybe what they say about MusIims
who come to Iive here is true.
They must give something up to Iive here.
But is it worth it?
I...
I got this fixed for Mohammed.
Good night.
-Thank you, Sabir. -Good night.
(SHOUTING IN ARABIC ON TV)
OMAR: Are you ready? Ready?
MAN ON RADIO: Authorities have identified and reIeased photographs of suspects
in the ongoing terrorist investigation in Los AngeIes
that has resuIted in the nationaI aIert IeveI being raised to code red
The four MiddIe Eastern
Omar, it stresses you out.
Okay.
Everyone at the bank saw your TV ad.
Great.
Omar the jihadi.
Come on, they were impressed.
Everyone says you're gonna be famous.
It's not so bad, you know.
You have a great roIe on American Safety We shouId be ceIebrating.
You know, this American Safety job...
-I wanted to teII you... -What?
You're starting your first episode today.
-Aren't you excited? I am. -Yeah.
You're right, it shouId be ceIebrated.
We'II have another reason to ceIebrate soon.
Omar, you're aII right with this, right?
You're not gonna judge me differentIy Iater?
No, I just want our chiId to Iive in a pIace
where nobody wiII think twice about his name,
where ''Nasser'' is just as American as ''GiuIiani'' or ''Lieberman.''
It's gonna happen, Omar.
It is, okay?
(CELL PHONE RINGING)
-Dez. -Omar, are you Iistening carefuIIy?
I just got back from a IittIe breakfast meeting.
This is hot shit, homeboy.
This is big This is awesome
I'm taIking major studio, Ieading roIe.
Are you ready?
You got an audition in two hours.
-I got the script for you right here -Dez, thank you. Thank you.
This is the kind of thing I wanted.
-You're gonna naiI it -Yeah, I wiII.
-You're gonna naiI it -I'II naiI it, I promise. I'II naiI it.
AII right then
(LAUGHING)
(METALLIC POUNDING)
(GRUNTING)
Son of a bitch.
Hey, Murad. Come in.
Yo, M, you aII right? I heard.
Yeah, Sam caIIed his Iawyer for me.
-The Jew did that? -Yeah, the Jew did this for me, Murad.
You know, about yesterday, I just wanted to say that...
Murad, forget it. We're friends for a Iong time.
Okay?
-I just want respect. -You shouId have respect.
But we shouId respect other peopIe or we're never going to puII ourseIves up.
You hear me?
-I do. -Good.
Listen, I need to fix this pIace up and seII it.
I need to put my Iife together.
Go have some coffee or tea.
Fikry here has started.
-Thank you. -Murad.
Fikry, how are you, habibi? What are you doing here?
-What are you doing here aIways? -I was waiting for you.
-Can you fix it? -I fix.
Not Iike you fixed the sign.
-What's wrong with the sign? -WeII, you missed one word.
I give a good price!
What, you want one-word refund?
MUSTAFA: Thank you, Mrs Jensen TeII Sam I appreciate it
Look, it shows that we soId the Iand with the option that we can buy it back.
That's why I've been sending money to Egypt.
So it's a deed. Okay, we need to get it transIated.
But how Iong wiII it take?
I need to seII this pIace.
I need the money so I can buy the new pIace with Sam.
I don't think you understand, Mr. Marzoke.
They have frozen aII your assets untiI the investigation is over.
I advise you not to even try to Iiquidate any property right now.
But this is my money.
You give me a few days.
(ESPRESSO MACHINE HISSING)
-WOMAN: Hi. Can I heIp you? -Hi.
-One coffee, pIease. -No probIem.
Hey, check this guy.
I saw him before, man, Iike on the news or something,
but with the whoIe raghead business.
-You mean Iike the terror aIert thing? -I don't know, man, but...
He just Ieft his backpack right behind you.
Hey, man.
-Is that your bag over there? -Yeah.
Maybe you shouIdn't be Ieaving it Iying around.
What?
You think I'm a suicide bomber?
Look, I've seen you before, man.
Yeah?
Where, on TV, beheading an innocent reporter maybe?
WeII, you've got me pegged, man.
I am a terrorist.
And if you don't get out of my face, my fucking face,
I'm gonna bIow this pIace up!
But first, I'm gonna have my coffee. AII right? Okay?
Thanks.
Good evening, Iadies and gentIemen This is TVLA 4 breaking news
Authorities have identified these men
as part of an ongoing terrorist operation in Los AngeIes
AII are beIieved to be at Iarge in the US or trying to enter
What's reaIIy going on? I mean, what is reaIIy going on?
Do they cast actors for this crap?
Pretty soon everybody's gonna be scared shitIess of anyone with a suntan.
MAN ON TV: It's a good time for Americans to stay aIert
Murad, we aIready taIked about this. No more news. Watch a movie.
I want peopIe to waIk here and Iook, nice atmosphere.
No bad eIements. Okay?
(SPEAKING ARABIC)
OFFICER: You!
PIace your hands behind the back of your head,
interIace your fingers and stand up.
Put your hands behind your head.
OFFICER: AII right, Mr. Nasser, you can go.
But I want to say this, under the circumstances,
we take what you said very seriousIy.
Doesn't matter what the situation was or how angry the other guy made you.
Do something Iike this again
and they're not gonna be so forgiving next time.
-Got it? -Yeah, sure.
(TIRES SCREECHING)
(GASPING)
OMAR: Hey, wait.
I'm sorry I'm Iate. I apoIogize.
Omar, there's nothing I can do. They're gone. It's over.
-Can't we rescheduIe? -They cast the roIe. They shoot next week.
Look, I'm sorry.
They reaIIy wanted to see you, but it's a done deaI.
I'm here.
LeiIa, where is Mohammed?
I thought he was with you.
No, you were supposed to bring him here.
-What about Sabir? -They were both gone when I got up.
Phone home, see if they're back and try SaIwah.
Okay.
You have to repIace aII these pipes. They are no good.
Come on, Ya Ya.
MURAD: Yo, Omar.
We were just taIking about you.
Just saw your TV ad for your show. I thought no more terrorists, man.
Hey, don't Iisten to him. You're doing great.
You're gonna be a big star.
I have to run. We're shooting.
-How did we do? -$750.
Omar, I know you're busy with acting.
That's great, but I need a fuII-time driver, man.
I need the money.
You don't want me to drive for you now?
You focus on acting. Let me take the cab off your hand.
I need... I need it, man.
Look, it's reaIIy a bad time for me. Can we taIk?
Listen, I've got some probIem here. Ya Ya's here fixing the thing.
I need to fix aII this situation.
-Mustafa, you're okay. -Hey, Sam, how you doing?
Have a seat. We'II get you a shisha.
AII right. Won't say no to a shisha.
Look, Mustafa, it's very important, something I didn't teII anybody.
Listen, thank you for what you did yesterday.
Taking SaIwah to Sam, it made aII the difference.
LeiIa, shisha for Sam.
Listen, Iisten.
Come back, we'II taIk, okay?
Ya Ya, taIk to me!
MURAD: Oh, whoa, Sam.
Don't suck so hard. You need to treat it Iike a nippIe.
A nippIe.
Sorry.
You see that?
GentIe.
You Iike?
I knew that you wouId Iike that. Me, too.
Yes, you Iike big fat juicy nippIes, just Iike me.
That's why I Iike Jewish women.
That's funny.
I got the idea that you didn't Iike Jewish peopIe at aII.
No, man. What...
You're not feeIing me, Sam.
I Iove Jewish women.
The best sex that I ever had
was with a MusIim woman and a Jewish woman at the same time.
You know how MusIims and Jews fight over JerusaIem?
That's how they fought over my dick.
And I ain't buIIshitting you. You need to hit that shit, Sammy.
WeII, somehow I think it wouId be hard for me to get a MusIim woman into bed.
No. No.
Just convince them that you're doing it for peace.
That's how you get them. Peace, my friend.
Everybody fucks everybody eIse for peace.
I guess you got a point there.
-MUSTAFA: You okay, Sam? -Yeah.
Yeah, Murad was just giving me some new insights
into smoking a shisha.
MUSTAFA: Thank you, my friend, for yesterday.
SAM: Oh, no. I'm sorry it happened.
(SAM COUGHING)
You okay? You seem...
I guess AngeIa toId you they froze my money.
Yeah, yeah.
Mustafa, Iisten.
Maybe the timing isn't right.
-Yeah? -Sam, you put the deposit on the buiIding,
I pay you my share when I work my situation out.
-We'II have it in writing. -No, yeah, yeah...
Look,
there are some compIications that we have to address.
Your circumstances have changed, right?
-This is onIy a cash fIow probIem. -No.
No. No.
Okay, Iook,
this is hard for me.
You know I'm in business with my famiIy, right?
And my famiIy is run Iike a corporation, beIieve me.
So untiI your IegaI situation is cIeared up
they want to offer you a different deaI.
They put up the totaI investment, you run the pIace.
You want me to run the pIace for you? Like a manager?
-No. No. -Sam, we are partners, you and me.
Mustafa, don't take this the wrong way.
I have to teII you what they're saying.
You want me to work for your famiIy.
It's not what I want.
I'm getting outvoted here. Do you understand?
What about our chance?
Let's just see what happens, okay? Let's just see how it goes.
Okay?
Omar, you're Iate. We've been trying to reach you.
-Yeah, Iook, I had a probIem. -What do you mean?
Omar, what's up? We're waiting.
Those Iines, I can't say them.
You did them in rehearsaI and you were cooI with it.
-No, I'm not cooI with it. -Okay, but we're shooting, okay?
The show airs in a week.
They wiII seriousIy have your head if you just waIk out in the middIe of this.
The scene has no sense. The Iines are stupid.
Character isn't reaI. I don't understand what he's trying to do.
Okay, he's a terrorist. He's fuII of hate.
That's aII you have to pIay.
No. That's what I'm saying. That's exactIy wrong.
Wait, what's happening?
Omar has probIems with how his character's being portrayed in the script.
It's a bit Iate for that, isn't it, Omar?
-Let's get on with it, bud. -Don't caII me bud.
-Read the Iines and see how they sound. -I have read the Iines.
And since I'm producing this show,
you're either gonna do the Iines as they're written or I'II repIace you.
I don't care how Iate in the day it is.
Are you stupid or don't care if it's propaganda or not?
AII right. I'm gonna have to ask you to Ieave.
No, you Ieave. I'm taIking to her.
-Get security. -MAN: Hey, over here.
-BeIieve this? -I can't...
I mean, he's... I don't know what to do.
What's up?
Now, I'd advise you to go on your own and not make them force you, okay?
AII right, everybody, back to work. This is over.
-No, no, it's not over. It's not over. -Hey, hey. Get this maniac off of me.
-Listen to me. Wait a minute. -Get off of me.
-Wait, wait, wait. I want to... -Get off of me.
-Listen. -Wait!
Freeze!
MAN 1 : Get out! Johnny, get out of here.
MAN 2: Down! Down!
MAN 3: Omar, chiII out, man.
JOHN: I was surprised when you said you wanted to do this
Last time I saw you, you practicaIIy sprinted away from me
SALWAH: I don't know what to say
TeII me about you. I mean, you're a mystery to me.
-You're Egyptian, right? -Yes.
Uh...
I was born there. That's aII.
(LAUGHING)
Okay, weII, I came here when I was 12.
And I went to schooI and to coIIege here.
So, reaIIy, you know, this is Iike my home.
Yeah, but stiII, it must have been hard for you,
the transition from Egypt to America.
Uh...
No, not reaIIy, you know.
I wanted to fit in, so...
WeII, you know, Egypt's right at the top of my Iist. You okay?
(COUGHING)
I Iove Egyptian history.
I Iove MiddIe Eastern music, MiddIe Eastern food.
Every time I'm on the Westside, I go to that...
What's the name of it?
It's an Egyptian pIace.
-Habibi's? -Habibi's, yeah. It's a great pIace.
-That's my brother's pIace. -Come on.
-ReaIIy? That's amazing. -Yes.
What does it mean, ''habibi''?
''My Iove.''
Do you want to eat?
No.
We're at Coyote FiIm Studios in East Los AngeIes,
where a gunman has seized a number of hostages
Eyewitnesses say that the man, an actor, Omar JamaI AbduI Nasser,
attacked members of a fiIm crew
and is hoIding the director, the producer and others against their wiII
A security guard has been reported to be shot
(KATE GASPING)
-Is this guy fIying soIo? -He's a disgruntIed empIoyee.
He got picked up earIier for a simiIar thing.
I got a man trying to penetrate from the roof up there
and another seeking a vantage point from over here.
(CELL PHONE RINGING)
Why didn't you just Iisten?
Omar, pIease. It's just a TV show, okay? It doesn't mean anything.
It means everything.
MAN ON TV: We're Iive at the studios
where the new TVseries American Safety is fiImed
An Egyptian-born MusIim actor and part-time cab driver Omar Nasser
-is stiII hoIding -I don't understand.
the fiIm crew hostage at gunpoint
-How can this be? -He didn't do it.
Change the channeI. Put it on an Arab station.
-Hey, hey, hey! -Leave it, Murad.
I just asked him to give up driving my cab.
That can't be it, Mustafa. There has to be a probIem, man.
The probIem is this young generation.
They Iisten to their heart and forget about their brain.
MURAD: You just wait.
If there is another 9/1 1
it wiII be safer for aII of us to go back to Iraq with Fikry.
officers inspecting the roof of the studio where Mr Nasser is hoIding the hostages
We don't know if poIice are preparing any kind of assauIt on the studio,
but I've been assured by the office authority
(SPEAKING ARABIC)
Anybody working here?
LeiIa, see what he wants.
No, no, no.
-No, no, no. I'm sorry. -What's wrong?
Wait.
I won't hurt you.
(GASPING)
No, stop.
Stop, pIease. I'm sorry, I...
-What did I do wrong? -I thought...
I thought I couId do this,
but I can't.
It's...
It's not you. It's me.
You wouIdn't understand.
MURAD: I can't even beIieve it. I don't beIieve what I'm seeing.
You Iiked it with a Iot of sauce, right?
You know what?
I come in here and spend good money for service,
not to take a Ioad of crap off you.
Sir, you're taIking to my daughter.
I come in here aII the time.
Your daughter is rude to me. I don't have to put up with this shit.
Sir, I'm asking you not to speak Iike that here.
Or you'II what? Come on.
Look at you peopIe. You're fucking pathetic.
-Who are you caIIing pathetic, bitch? -You, and aII of you,
sitting around bitching and moaning aII day
about how Arabs are treated, fighting amongst yourseIves.
If that's the best you can do, you deserve to have your asses kicked.
(CELL PHONE RINGING)
WOMAN: You've got to Iet it go.
You can't win Iike this. You'II just end up getting hurt.
I'm aIready hurt.
(CELL PHONE RINGING)
Hanging in there? Good. You want some water?
Keep the pressure on your Ieg and keep stiII.
-Kate? -Omar, what are you doing?
MAN ON TV: His name is stiII being withheId
-What did the doctor say? -He said...
-Put down the gun, Omar! -No!
Put it down, Omar. You're going to get hurt.
-Omar? -The SWAT guys are on their way.
They wiII not hesitate to kiII you. You have my word on that.
I was gonna Iet them go. It's an accident.
I beIieve you. I beIieve you.
I'm gonna put down my gun.
Now...
You step away from them. You put your gun down now.
You can't arrest me. I was gonna Iet them go.
Nobody's gonna do anything. We're just gonna taIk.
I'II Iisten.
Omar?
My fiancée, she's...
(GUN FIRING)
MAN ON TV: I've just heard a singIe shot
that sounded Iike a discharge from a high-powered rifIe,
possibIy one of the sniper rifIes
PATRON: You deserve to have your asses kicked.
MURAD: I'II kick your ass, you sand nigger. PATRON: Me, sand nigger?
50 Cent wannabe, trying to Iook Iike a bIack man.
You think peopIe in this country think you're cooI?
Damn right they think I'm cooI. You understand?
They don't think you're cooI, asshoIe.
Sir, I toId you, watch your Ianguage!
Excuse me, I'm Iooking for Mustafa Marzoke.
I am Mustafa Marzoke.
What is your reaction to your empIoyee, Omar Nasser,
being kiIIed by poIice tonight?
What?
MAN ON TV: EMS are coming out with someone on a stretcher
Yes, we're getting reports that the gunman, Omar Nasser,
has been shot and kiIIed by poIice, and that aII the hostages are aIive
In fact, I am seeing the hostages now
No, no, no!
-They fucking murdered him ! -Stay.
Get the fuck out of my face! Get the fuck out.
You peopIe, you fucking murder us.
You fucking fiIm our suffering for your entertainment! Fuck you!
Murad, Murad, Omar is dead. He's dead.
What murder? He takes peopIe hostage with a gun.
-What do you expect to happen? -Fuck you!
-And fuck your American media ! -No, fuck the Arab media !
TeII me about your empIoyee, Mr. Marzoke.
Did he have extremist poIiticaI or reIigious views?
What? No.
WOMAN REPORTER: Do you know if he has any connection
to any of the other MiddIe Eastern men being arrested tonight by poIice?
He was our friend. Go away, pIease.
-Fucking cameI cocksucker. -Go away! Go away!
(ALL SHOUTING)
-Out! We're cIosed! -Okay. Okay. AII right.
PIease.
We're cIosed!
Out!
(SOBBING)
It's aII right. It's okay.
Mustafa, I heard about Omar...
Oh, my God.
Oh, my...
Who did this?
I did it. I did it aII.
What?
Mustafa...
You don't need to worry about me or the Iand.
Do you understand? You're reIeased from aII of that.
You've done your duty. You've done more than enough.
You've made a new Iife for aII of us.
BEN: Sam, I've aIways respected your decisions
and Iet you run the famiIy business,
but this time, the famiIy thinks you're mistaken.
So I hear.
Then you're prepared to get us out of this arrangement?
Ben.
I've aIways beIieved in our purpose.
I've aIways tried to keep that foremost in my mind,
but if anyone asked me to appIy that beIief,
or even money for that matter,
to the destruction of other peopIe's Iives,
I wouId draw the Iine.
WeII, I know Mustafa.
And I know that he is the same kind of man.
We are tied together by the same forefather.
More importantIy, I beIieve we are tied together now, here.
We're Americans.
We can make a difference.
We can change things,
maybe show that catastrophe isn't a foregone concIusion.
The everyday act of breaking bread together
is more powerfuI than aII the hate.
MUSTAFA: Let's do it!
What's this? Wait. It's supposed to say, ''American MiddIe East.''
Ya Ya, what happened?
I write the way you teII me on the phone.
-What? -I write the way you teII me on the phone.
I don't know what he said or what you wrote,
but it's ''American MiddIe East.''
What's the difference? He gave us a great price.
I can't argue with that.
SAM: Our investors.
MUSTAFA: Here come Fikry and Murad and the four Mohammeds.
SAM: What are they doing here?
Murad, I thought no SUV.
-It's a hybrid, bitch. -Mother bitch.
-Mustafa, Iook, we taIked about this. -You know, good Iuck for us.
No, no, no, no, no, no, we taIked about this, right?
This pIace is gonna be different. It's a business, not a sociaI cIub.
-Sure, Sam. Sure. -Let's just get them in.
-Whoa, we were here first. -No, we come before you.
-No, you didn't. -David, David, it's okay.
No, it's not okay.
Mr. BIoom is an investor. He was here first.
Yo, March of the Penguins, step off, boy, aII right?
-Murad... -Just because you spend...
(ALL SHOUTING)
HeIIo, young man. Who are you?
I'm Mustafa's son and my name is Mohammed.
Good. Let's go inside, shaII we?
-Are you hungry? -Yeah, Iooks good.
Don't pay attention to them. They don't know what they're doing.
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